Good and Bad
2007
Gold-coloured glazed ceramic and platinum-coloured glazed ceramic, metal bases
Variable dimensions
All of Thomas Schütte’s sculpture work is figurative, revealing his concern for the human condition. His caricatured, sometimes downtrodden but always touching figures come to life in clay, wax, ceramics, steel, bronze and full-length or head-and-shoulders portraits. The German artist addresses crucial topics such as power, memory, the role of art, beauty, economic greed, death, beauty and melancholy.
More recently, the genre of portraiture has enabled him to address themes like alienation, conflict, isolation and vulnerability, as seen in the sculpture Good and Bad (2009). Two heads, in gold and platinum glazed ceramic, strive to fully explore the expressive potential of physiognomy. Imperfect, they echo the artist’s efforts to “introduce a twisted question mark into the world”.
Good and Bad by Thomas Schütte was first shown by the Pinault Collection at the "Eloge du Doute" (“In Praise of Doubt”) exhibition at the Punta della Dogana (2011-2013).
More recently, the genre of portraiture has enabled him to address themes like alienation, conflict, isolation and vulnerability, as seen in the sculpture Good and Bad (2009). Two heads, in gold and platinum glazed ceramic, strive to fully explore the expressive potential of physiognomy. Imperfect, they echo the artist’s efforts to “introduce a twisted question mark into the world”.
Good and Bad by Thomas Schütte was first shown by the Pinault Collection at the "Eloge du Doute" (“In Praise of Doubt”) exhibition at the Punta della Dogana (2011-2013).
Exhibitions

Thomas SCHÜTTE © Adagp, Paris.
Courtesy Galerie Pietro Spartà
Photo: André Morin

Thomas SCHÜTTE © Adagp, Paris.
©Palazzo Grassi
photo: ORCH orsenigo_chemollo
Exhibition view, Eloge du Doute, Punta della Dogana, Venice, April 10th 2011 - March 17th 2013.